![]() He spoke of “five wars and seventeen military coups…a diabolic dictator who is carrying out, in God’s name, the first Latin American ethnocide of our time.” He also spoke of generals, such as Antonio López, who once held a funeral for his right leg Garcia Moreno, a former ruler of Ecuador whose corpse attended its own wake dressed in military honors and of Maximiliano Hernández Martinez of El Salvador, who invented a pendulum to detect poison and tried to defeat scarlet fever by draping street lights in red paper. In his speech after accepting the Nobel Prize in 1982, Márquez spoke of the relatively brutal history surrounding Central America. ![]() In order to further understand this idea of Bayardo’s masculinity as previously mentioned, it is important to research ideas such as machismo, a series of notions of masculinity typically found in Spanish influenced areas of the world. However, I have to be careful to avoid an idea that his words are somehow more important than the other sources I find, as authorial intent is not the highest authority in writing. Specifically, I plan to use it understand how his journalistic style fits into the story. Bayardo seems to be a common link in this story to a much larger narrative, and I think Marquez wrote the story with that idea in mind, just as a journalist would try to find a link holding an article together. This source is useful because it will help me to understand his writing process. This source is useful because it is a translation of the author’s own words, which are not always easy to come across. This source is an interview with Marquez conducted in 1981. – art – of – fiction – no – 69 – gabriel garcia – marquez ![]() “Gabriel Garcia Marquez.” The Paris Review 82 (1981): n. This source maintains that the story altogether is a tragic one, and Bayardo’s side of the story is labeled “feigned.” It is interesting that King refers to his story that way, and I will keep that idea in mind during my research. However, this study is also useful because it explores the story’s connection to Greek tragedy. Much like the source on social protest, this article is useful because of that elaboration on magical realism. This article is a study of the ways in which Chronicle of a Death Foretold utilizes magical realism in relation to a suspension of disbelief. “Santiago Tyrannos: Dialogic Voices in García Márquez’s Crónica De Una Muerte Anunciada”. Again, the source draws on outdated methods of psychoanalysis, but it is not completely without merit, and it is rooted in history. Much like Marquez’ Nobel Speech, this source is useful for help in understanding how a character like Bayardo San Román is a symbol of masculinity. ![]() Admittedly, the book is a little older than I would like, but it still provides valuable insight into the mind of the Spanish conqueror and his descendants who seek to make themselves known as heirs to that legacy. This book is a study on Central American ideas of paternalism and machismo. History as Neurosis: Paternalism and Machismo in Spanish America. This is important for my research because the character of Bayardo San Román is descended from a general, and he himself is not a conqueror, although he seeks to emulate one. I plan on using this source to gain insight into the sorts of military issues and personalities that Marquez speaks of. During this speech, Marquez provides a look at the relatively brutal history experienced close to his home. This source is a speech given by the author as he was given the Nobel Prize in Literature in 1982. “Gabriel García Márquez – Nobel Lecture: The Solitude of Latin America”. I plan to draw on the definition of magical realism in this article to help me in my study of Bayardo San Román, as he is written this technique in mind. It also utilizes a lens of historicism, which I will be utilizing for my research. This article is useful because it draws on established, solid definitions of magical realism. Specifically, this article focuses on his use of magical realism in relation to forms of social protest, such as Angela Vicario’s initial resistance to her husband’s pursuit of marriage. This article is a study on Marquez’ use of magical realism in Chronicle of a Death Foretold. “Elements Of Social Protest In Gabriel García Márquez’s Chronicle Of A Death Foretold: A Study In Magical Realism.” Asian Journal Of Latin American Studies 28.2 (2015): 1-17. Ahmad, Mustanir, Ayaz Afsar, and Sobia Masood.
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